Through the Window: January 2015

It’s pretty quiet around here…  Bold text indicates the species we did not see last month.

  • Blue Jay
  • Downy Woodpecker
  • Hairy Woodpecker
  • Black-capped Chickadee
  • Tufted Titmouse
  • Dark-eyed Junco
  • Mourning Dove
  • White-breasted Nuthatch
  • Red-bellied Woodpecker (1/20 on Suet)
  • Northern Cardinal (female on swinging seed tray)

Just the usual suspects for mammals: Gray and red squirrels

We’re open by appointment from now until April 30. You are always welcome, just call or email to schedule a visit. Whether you’re working on bird ID skills, want to explore example of the woodcarvers’ art, learning about winter bird feeding, or seeking citizen science opportunities for yourself or a child, we can help! Call or email to set up your time to visit: (802) 434-2167 or museum@birdsofvermont.org.

 

The “Through the Window” series is an informal record of observations made by staff, volunteers, and visitors. Anyone at the Museum may add to this list. Observations are usually through our viewing window: a large window with a film covering that helps hide watchers from the birds. We have chairs and binoculars to try, a white board, and many identification guides. Outdoors, several feeders are attached on a single, bear-resistant pole. A small pond, flowers and water plants, shrubs and trees add cover and (seasonally) other food choices . You can sometimes see what we see via our webcam.

Through the Window: December 2014

Happy New Year! Bird sightings are slowing down around here now for various reasons (season, opportunity,…).  Bold text indicates the species we did not see last month.

  • Blue Jay
  • Mourning Dove
  • Tufted Titmouse
  • Black-capped Chickadee
  • Downy Woodpecker
  • Hairy Woodpecker
  • Pileated Woodpecker (in various trees nearby)
  • Northern Cardinal
  • Dark-eyed Junco
  • White-breasted Nuthatch
  • Wild Turkey (22 on 12/2)
  • Red-bellied Woodpecker (female 12/6)

I seem to have misplaced the mammal notes. Guess you’ll just have to come look for them yourself!

We’re open by appointment from now until April 30. You are always welcome, just call or email to schedule a visit. Whether you’re working on bird ID skills, want to explore example of the woodcarvers’ art, learning about winter bird feeding, or seeking citizen science opportunities for yourself or kid, we can help! Call or email to set up your time to visit: (802) 434-2167 or museum@birdsofvermont.org.

 

The “Through the Window” series is an informal record of observations made by staff, volunteers, and visitors. Anyone at the Museum may add to this list. Observations are usually through our viewing window: a large window with a film covering that helps hide watchers from the birds. We have chairs and binoculars to try, a white board, and many identification guides. Outdoors, several feeders are attached on a single, bear-resistant pole. A small pond, flowers and water plants, shrubs and trees add cover and (seasonally) other food choices . You can sometimes see what we see via our webcam.

Through the Window: November 2014

….

Bold text indicates the species we did not see last month.

  • Blue Jay
  • Downy Woodpecker
  • Dark-eyed Junco
  • American Goldfinch
  • Tufted Titmouse
  • Hairy Woodpecker
  • Song Sparrow
  • Mourning Dove
  • Black-capped Chickadee
  • White-breasted Nuthatch
  • Northern Cardinal
  • Fox Sparrow (2 on 11/9)
  • White-throated Sparrow
  • Wild Turkey (16 in flock, only 1 male)

An Eastern Chipmunk was still awake this month, and of course the Red Squirrels and Gray Squirrels are attempting to scarf up all the seeds and corn on the ground before the turkeys get to it…
We’re open by appointment from now until April 30. You are always welcome, just call or email to schedule a visit. Whether you’re working on bird ID skills, want to explore example of the woodcarvers’ art, learning about winter bird feeding, or seeking citizen science opportunities for yourself or kid, we can help! Call or email to set up your time to visit: (802) 434-2167 or museum@birdsofvermont.org.

 

The “Through the Window” series is an informal record of observations made by staff, volunteers, and visitors. Anyone at the Museum may add to this list. Observations are usually through our viewing window: a large window with a film covering that helps hide watchers from the birds. We have chairs and binoculars to try, a white board, and many identification guides. Outdoors, several feeders are attached on a single, bear-resistant pole. A small pond, flowers and water plants, shrubs and trees add cover and (seasonally) other food choices . You can sometimes see what we see via our webcam.

Through the Window: October 2014

October is so full of color changes. Not, perhaps, so much for birds; they’ve already mostly shifted into their winter costumes if they’re going to (hey, American Goldfinches, I’m looking at you). But look at some of those birds…if you can see them against the leaves. Did you know there were so many beautiful shades and tints of browns? Look again; there’s another.

Bold text indicates the species we did not see last month.

  • Purple Finch
  • Blue Jay
  • Downy Woodpecker
  • Hairy Woodpecker
  • American Goldfinch
  • White-breasted Nuthatch
  • Song Sparrow
  • White-throated Sparrow
  • Tufted Titmouse
  • Dark-eyed Junco
  • Northern Cardinal
  • Northern Goshawk (10/2, 10/9)
  • American Crow
  • Mourning Dove
  • Common Grackle
  • Brown Thrasher (10/8)
  • Black-capped Chickadee
  • Fox Sparrow (10/26)
  • Pileated Woodpecker (at the front of Museum eating dried-on-the-vine grapes)
  • Barred Owl (several days after 10/25, in the trees along the road by the Museum, and even hunting in the verge)

We’ve just shifted to winter hours (that is, by appointment). If you’d like to come and practice your bird ID skills and find out more about winter feeding or winter birdwatching and citizen science opportunites, great! (We have these nifty birds-carved-in-wood, too…) Call or email to set up your time to visit: (802) 434-2167 or museum@ birdsofvermont.org.

 

The “Through the Window” series is an informal record of observations made by staff, volunteers, and visitors. Anyone at the Museum may add to this list. Observations are usually through our viewing window: a large window with a film covering that helps hide watchers from the birds. We have chairs and binoculars to try, a white board, and many identification guides. Outdoors, several feeders are attached on a single, bear-resistant pole. A small pond, flowers and water plants, shrubs and trees add cover and (seasonally) other food choices . You can sometimes see what we see via our webcam.

Through the Window: September 2014

And off they go! Our summer friends head south, northern friends arrive, and some of our year-rounders stick around. (Some of course are the same species but different individuals. That’s a little tricky for us to tell, though sometimes we try.) Bold text indicates the species we did not see last month.

  • White-breasted Nuthatch
  • Common Grackle
  • Song Sparrow
  • Black-capped Chickadee
  • Hairy Woodpecker
  • Blue Jay
  • Mourning Dove
  • Ruby-throated Humming bird (seen on September 5, 6, and 9. Only females seen.)
  • American Goldfinch
  • Rose-breasted Grosbeak
  • Tufted Titmouse
  • Wild Turkey
  • Purple Finch
  • White-throated Sparrow (9/10 and later)
  • American Crow
  • White-crowned Sparrow (9/25, 9/26)
  • Northern Cardinal (9/30)

Come watch birds and write on our board too! We’re open daily from 10-4 through October, and we have galleries and trails, a pond, creeks, a tree house and a gift shop—all for you!  (In November, you just need to call for an appointment to come inside. Easy!) Check out our calendar of events for special things to do and see.  And if you’re online, follow along some of the migration data with BirdCast or eBird.

The “Through the Window” series is an informal record of observations made by staff, volunteers, and visitors. Anyone at the Museum may add to this list. Observations are usually through our viewing window: a large window with a film to make it more difficult for birds to see the watchers. We have chairs and binoculars to try there, a white board, and many identification guides. Outdoors, several feeders are attached on a single, bear-resistant pole. A small pond, flowers and water plants, shrubs and trees add cover and (seasonally) other food choices . You can sometimes see what we see via our webcam.

We Remember

This post appeared first in our late summer 2014 issue of Chip Notes.

The fabric of the Museum’s history has been woven by many people. A few add a strand or two of color, while others provide the very warp that holds it all together. Unfortunately, there comes a time to say good-bye to some of these people. We are grateful for them, and we will miss them.

Ed Everts, 1919-2013

Ed Everts was a dear friend and instrumental in turning the Birds of Vermont Museum into a reality. He provided the initial funding that allowed Bob to start carving. Ed, and his partner Raven Davis, are remembered not only for their support, but also for their friendship.

In addition to all he did for the Museum, Ed was devoted to his family, spreading peace, working with the Peace and Justice Center , and exploring the world (sometimes with Bob and Gale in a VW microbus).

Mary B. Fell, 1920-2014

Mary Fell was a resident of Underhill. In addition to time spent volunteering for the historical society, she was a dedicated volunteer for Meals on Wheels and also volunteered many hours at Audubon Vermont‘s Sugar-on-Snow parties.

The General Assembly of Vermont wrote a resolution honoring her for her work. Her friend, Carol Wagner, is spearheading a campaign to dedicate a bench to Mary. The bench will be placed in the gardens along the path to the treehouse.

Hubert “Hub” Vogelmann, 1928-2013

Hub had personal ties with the Museum through his connections to Bob and Gale. He and his wife, Marie, were two of the Museum’s charter members. He had a close personal connection with the Museum’s mission of conservation. Hub worked with Bob and others to preserve Vermont ridgelines and mountaintops.

Hub was a botanist whose groundbreaking work on Camel’s Hump led to national attention regarding issues with acid-rain. He also co-founded Vermont’s chapter of the Nature Conservancy. In addition to serving on state and national environmental boards, he served on the Museum’s advisory board.

 

 

 

 

The Echoes of their Wings: a Talk by Joel Greenberg

This post appeared first in our late summer 2014 issue of Chip Notes.

Joel Greenberg, author and educator
Joel Greenberg

The passenger pigeon, abundant beyond current imagining, is gone. What can we, did we, and will we learn from our relationship to and with this remarkable species?

In recognition of the centenary observance of the extinction of the Passenger Pigeon, the Museum features the bird’s improbable story as our special art/science exhibit for 2014, using a variety of informative and conceptual displays.

Now you can listen for “the echoes of their wings” in a conversation with author Joel Greenberg, a naturalist and author affiliated with the Peggy Notebaert Nature Museum at the University of Chicago. Through the generosity of the Lucille Greenough lecture series, the Museum is delighted to be able to host Joel for his talk The Echoes of Their Wings: The Life and Legacy of the Passenger Pigeon on Wednesday, October 8th, 2014 from 7 p.m. to 8 p.m. The talk will be presented on the University of Vermont campus, 207 Lafayette Hall.

Greenberg spoke at the Fairbanks Museum in March of this year, where he received high marks for his work and insights into the destruction of one species and the need to protect and promote diversity in nature. This October event, co-sponsored by the Birds of Vermont Museum and Green Mountain Audubon Society, promises to be informative and thought-provoking. We hope to hear some discussions break out well before you’ve left the venue. There is a suggested donation of $15 ($5 for students).

About Joel Greenberg

Joel Greenberg played a leading role in creating and launching Project Passenger Pigeon (http://www.passengerpigeon.org), which promotes a deeper awareness of the roles humans play in species’ extinction and in effective conservation. Serving as a research associate of the Field Museum and the Chicago Academy of Sciences Peggy Notebaert Nature Museum, Greenberg’s keen interest in natural history is evident through his authorship of both A Feathered River Across the Sky and A Natural History of the Chicago Region. As a natural history educator, Greenberg has taught at the Morton Arboretum, the Brookfield Zoo, and the Chicago Botanic Garden. Please enjoy a visit to his blog at http://www.birdzilla.com/blog/.

—Allison Gergely

 

 

The Bird Carver’s Daughter (Part 8: My Dead Arm)

Guest post by Kari Jo Spear, Photographer, Novelist, and Daughter of Bob Spear
This post appeared first in our late summer 2014 issue of
Chip Notes.

My arm was killing me. Every muscle burned, my fingers cramped, and my shoulder barely fit in its socket any longer. In other words, I was in agony, and it was all my father’s fault. I was furious with those stupid birds of his and his stupid idea about carving every freaking bird that had ever been stupid enough to set its freaking feathers in Vermont. And I was mostly mad about his stupid idea to rebuild the barn on the old foundation next to Gale’s house and keep his stupid birds in there.

I was going to be maimed for life because of this! I was never going to be able to use my right arm again. My fingers were ice cold and I could barely feel them, much less move them. Any doctor would agree this was child abuse. I should be put into foster care and live in a nice, normal apartment in a city and never have to look at another bird again as long as I lived!

And not only that, my hand was sticky, and I hated that more than anything.

But I forced my smile back on. “And what would you like?” I asked a sweet little girl standing in front of me.

“Chocolate, please,” she said with an eager light in her eyes.

“Chocolate it is, then,” I said, and bent over the cooler again, trying to hide my pain.

I had been scooping ice cream for three hours. It had seemed like a really good idea at first. My father was hosting his first open house. It had been advertised all across the media. His “project,” now officially called the Birds of Vermont Museum, was open for visitors. In reality, today’s open house was a test to see if anybody was interested. To see if anybody was insane enough to make the drive all the way out to Huntington to see a bunch of wooden birds. Of course, there was no charge. We were still ages away from having all the permits and stuff that were required to become a business, even one not for profit.

To sweeten the deal, my father was offering a free dish of Ben and Jerry’s ice cream to everybody who showed up that day. For some stupid reason, the ice cream gurus had donated a bunch of bottomless cardboard tubs of the rock hard, icy, sticky stuff for the occasion. And for some stupid reason, I’d thought that was really nice of them and volunteered to be in charge of it.

And now my right arm was totally dead. I didn’t think anything could ever make me hate chocolate. But this afternoon was doing a good job of it.

“Here you go.” I handed the little girl her dish and dragged my eyes to her mom. “And for you?”

“Vanilla, please,” she said.

I decided to hate vanilla, too. I made my poor, abused fingers close around the scoop that lived in the vanilla tub.

“And how were you lucky enough to rate this job?” the mom asked.

I looked up at her as though she were out of her freaking mind. Beyond her, the line of people reached across Gale’s kitchen, down the hall, out the front door, along the path, across the driveway, and down the side of the road all the way to the shop. Which we were now supposed to call the Freaking Birds of Vermont Museum.

“I’m his daughter,” I growled.

“Oh, how marvelous! Your father has such incredible talent! Such patience! Such vision.”

I looked at her again to see if she was sane or not.

“To create such a project! And not want to make any money at it! All that work, to educate people about nature and conservation and – oh, everything! I had to come up here the minute I heard about it. This is something that must happen. I wanted my daughter to be able to say she’d seen it in its earliest days.” She nodded at the little girl dripping chocolate all over the place, who nodded back vigorously. Then the mom looked back at me. “You are so lucky to be part of all this.”

I looked up at her, my arm suddenly feeling a little less leaden and sticky. Did she really mean she hadn’t come all this way for free Ben and Jerry’s?

“I mean, look at the turnout!” she said. “There are hundreds of people here. You must be so proud.”

“It’s amazing,” someone behind her said.

“They look alive,” someone else said.

“I’m going to start a life list,” another voice added.

No, don’t! I almost said aloud. It won’t lead to good things! But then I found myself really smiling as I handed the mom her little dish. “Here you go,” I said. “Thanks so much for visiting the Birds of Vermont Museum today. And what kind would you like, sir? We have chocolate and vanilla and suet with sunflower sprinkles. Just kidding,” I added.

He laughed. “Chocolate, please.”

“Coming right up. Don’t let it drip on your binoculars.”

Everyone laughed. What great people, I thought. What a momentous day!

And what big muscles I’m going to have.


Kari Jo Spear‘s young adult, urban fantasy novels, Under the Willow, and  Silent One, are available at Phoenix Books (in Essex and Burlington, Vermont), and on-line at Amazon and Barnes and Noble

Previous posts in this series:
Part 1: The Early Years
Part 2: The Pre-teen Years (or, Why I’m Not a Carver)
Part 3: Something’s Going On Here
Part 4: The Summer of Pies
Part 5: My Addiction
Part 6: Habitat Shots
Part 7: Growing Up

A New Point of View: from Our Treehouse

This post appeared first in our late summer 2014 issue of Chip Notes.

The Birds of Vermont Museum's "Elevated Bird Blind"
Visit our new treehouse

Do you need a place to sit, feel the breeze across your face, see the clouds rolling across the sky, hear the brook cascading over rocks, listen to the sounds of birds singing, chirping, and calling to each other? If so, come visit the Museum’s new treehouse. Rain or shine, it’s waiting for you.

For years, the Museum’s Board members and staff have wanted to create a treehouse: a sheltered, elevated outdoor space, one more accessible for people of all abilities than some other outdoor spaces. We imagined a place for reflection, teaching, observation, and restoration. Last year’s flood interrupted our actual plans at first. However, with some unexpected volunteer assistance (an entire class!) and a little coordination with other needs, we have been able to roll the treehouse into the Bridges to Birds project… and complete it. (Find out more about the rest of the Bridges to Birds project on page 3.)

This project really began years ago and would not have happened without the insights, connections, funds, labor, and services donated by Bob Spear, Gale Lawrence, Dann Van Der Vliet, Mae Mayville, Shirley Johnson, Becky Cozzens, Evergreen Roofing, and the Essex Rotary Club. The treehouse itself and a wide walkway leading to it were built by the Center for Technology, Essex. The students, under the direction of their teachers, Shawn Rouleau and Brian Japp, designed, built, and installed an entire timber frame structure that is accessible to visitors of all ages. The students impressed us all with their skills and dedication.

View from the Birds of Vermont  Museum's Treehouse
View from the Treehouse

Our treehouse is built out over a long stream bank to allow for elevated points of view and unique listening opportunities. When weather and foliage permit, the peak of Camel’s Hump can be glimpsed above the trees. Sherman Hollow Brook tumbles below, often hidden, delighting the ear. Nearby hemlock, apple, and maple trees provide perching and gleaning territory for many small songbirds. The wide, nearly level gravel path to our “elevated bird blind” begins near the back lawn, winds through new garden beds, tucks behind the dogwoods, and meets a short bridgeway to the treehouse itself.

The treehouse gives us an additional space with completely different perspectives, allowing new outdoor programming options. A recent grant from the Vermont Community Foundation’s Small and Inspiring program will help fund development of “Connections in the Canopy” activities and curricula.

We thank all of you who helped bring this vision into reality and we hope everyone will come visit. It’s for you.

 

 

Bridges to Birds: Connecting to People

A slightly different version of this post appeared first in our late summer 2014 issue of Chip Notes.

Bridges to Birds 5-step bannerAs you may recall, we “took advantage” of the devastating flood, integrated that with several pre-existing hopes and plans, and coordinated an initiative we call Bridges to Birds. This four-fold project will make (and already is making) the Museum more accessible to all, indoors and out, enabling better and more bird conservation, environmental education, and appreciation of Vermont’s natural communities.

One phase of the Bridges to Birds Project, Connecting to New Perspectives (the Treehouse), was completed this summer, and you can read more about it elsewhere in the blog.

Two other phases, Connecting to Nature (with Interpretative Trails) and Connecting to Conservation (with Bird-friendly Gardens) are actively underway, thanks primarily to several dedicated volunteers and interns.

Now we focus our attention on another phase: Connecting to People (the reconstruction of our parking-to-entrance access). This one is perhaps the largest endeavor, and you’ve probably seen and read about the planning, engineering, and design aspects already in previous issues of Chip Notes.

Early in August we heard the great news that in the next few weeks the town of Huntington will replace the culvert that funnels the water from the creek above the Museum, under Sherman Hollow Road, and down to “Bob’s Bridge.” This is an essential prerequisite to our own construction process. Once this culvert and Sherman Hollow Road have been repaired, the Museum can start the physical repairs to create a safe passage for visitors from the parking lot to the Museum doors.

While waiting for this construction to start, we all have been learning and researching ADA laws, erosion prevention techniques, effective interpretation methods, and the ways entrances can shape and enhance Museum-going experiences. We have also been consulting with designers and engineers, writing grants, and working on other fundraising to bring this phase into reality.

So Far, with Gratitude

We are grateful for the support already given for work to date:

  • FEMA helped fund some of the emergency work last year: clearing downed trees and debris; removing electric lines ($800)
  • Vermont Community Foundation’s Special and Urgent Needs grant helped support initial personnel time (staff and consultant) as we began the planning and design of both temporary and permanent measures to bring people safely to the Museum, and storm water through the property ($5000).
  • Museum members and community donors help pay for some of the additional staff time as we continue to plan, apply for new grants, and develop related presentations and literature. Some of these donations will go directly to the initial construction costs ($7000).

We also recently received a grant from the Vermont Better Back Roads program to address stormwater runoff, preventing damage in the future. If you have seen the photos of the parking lot, or stopped in recently, you know from your own experience how essential this is to protect the riparian habitats along the tributary creek and Sherman Hollow Brook.

The Next Steps

We are about to embark on a fundraising campaign for the bulk of entrance-access construction. These costs are great. There will be costs for detailed plans and oversight from structural and civil engineers, the site work, bank stabilization, stream bed restoration, the ADA-compliant bridge and walkway construction, materials, and interpretation. One member has already promised to match all donations!

As space here is limited, look for another mailing with more information about the entire project. It will include detailed goals for each phase, costs, donation information, and a generous list of thank you gifts, from watercolor prints by Libby Davidson, to a very special one donated by Denver Holt, renowned Snowy Owl biologist.

Thank you to all who have donated so far! We will continue to post pictures as progress is made. This is a very exciting time as we not only repair what was damaged but create a fully welcoming space that connects people to the essential and exciting world of birds.

You can help

Make a financial donation

We happily accept donations online through JustGive, NetworkForGood, and PayPal. Or use the phone or address below.

Membership

Renew yours, become a new member, or give a gift membership to a bird-loving friend or family member. Use our online membership form (PDF).

Volunteer with us

Opportunities abound! Our Volunteer page has more info.

Bird Conservation Choices

Use your everyday choices, from the coffee you choose to the laws you enact, to create a world better for birds.

Share about us online

Tell people about us with travel reviews, in your blogs, and in your photos!


Bookmark and Share

You can also call (802) 434-2167 with your credit card info, or send a check in any amount at any time to

Birds of Vermont Museum
900 Sherman Hollow Road
Huntington, Vermont 05462

THANK YOU